I love this dress so much I don’t want to wear it. Do you know what I’m talking about? It’s so pretty you don’t want to wear it out. I made this dress last year but it still looks like new, no? I hoarded the fabric for a couple of years deciding what to make with this beautiful African wax print I picked up at the stoffenspektakel the year before. I got it as a 4m piece, so I’m able to make another garment (or two) from it as well.

This is an indie mashup of the Sigma bodice from Papercut patterns and the Belladone skirt from Deer and Doe patterns. I made this dress out of linen as well and loved it so much I had to make another. This time, I did not make inverted pleats, but the knife pleats that originally come with the Belladone pattern. I might try gathering the pleat section on my next version, so it’s kind of like the Sigma skirt. I’d also like to make the pockets a bit deeper in my subsequent versions because I’m always afraid my phone will fall out.

As I mentioned in my other Bellasigma post, the back darts match up perfectly, but the front pleats need to be moved a little to match the bodice darts. I also overlocked the seams on the inside with bright green thread, which looks fabulous.

I also cut out another dress from it, I just haven’t sewn it yet. It is also a mashup of patterns. BHL’s Kim bodice, Papercut’s Sigma skirt, and Deer & Doe’s Belladone waistband (the waistband is not yet cut). I’m kind of intimidated by my idea. It might not work and then I will be so sad 🙁 Maybe if there’s a hack challenge during Indie Pattern Month, I’ll have to finally sew it up.

I wanted to recreate this gorgeous red dress I found on Pinterest. It’s being marketed as a bridesmaids dress, but it’s of course a lovely cocktail dress as well. From the way the skirt holds it shape, I think the original dress is made from a scuba-like fabric.

This is a hacked version of the Elisalex bodice paired with the Flora skirt, both patterns from By Hand London.  Originally, I was going to use the Kim dress bodice with the sweetheart neckline, but I noticed that the bodice on this dress looks more like the Elizalex bodice and I decided to challenge myself to recreate the neckline.

For the fabric, I chose a medium-weight solid red cotton. I ordered it online from herberttextil.de, so I wan’t entirely sure of what I’d get. It’s a little bit heavier than I thought it would be, but it makes the skirt drape beautifully.  The bodice is lined with black broadcloth.

How I did it:

I’d never made the Elizalex dress before, so I just traced out the size I’d used for the Kim dress and made a toile. It fit very tightly across the bust, so I did a 1cm FBA. I muslined it again and it seemed to fit much better.

To alter the neckline, I put on a bra that looked like it had the same curvature as the neckline in the picture. I put on the toile, stood in front of the mirror and traced a line that was about 1 cm away from the top of my bra line on one side of the bodice. Then I took off the bodice, folded it in half along the center and redrew the line so it went down to the center line and 1.5cm (5/8″) from the edge of the front bodice. I cut it out and tried it on again and was pleased with how it looked. I took the piece I’d cut away and laid it on the center front pattern piece and traced it onto the pattern. I then marked the seam allowance and cut out the modified pattern.

When I cut out the center front lining piece, I made sure to mark the seam line on the wrong side with some tracing paper because sometimes it’s tricky to know when to pivot on a sweetheart neckline.

I cut out the Flora skirt in the same size as the bodice. I also cut out two pairs of Chardon skirt pockets, because, well, dresses are just 100% better when they have pockets.

I followed the instructions on how to attach the bodice pieces together. I only had a quick glance at the instructions, to be honest, because the technique is almost exactly the same for the Kim dress, of which I’d made two versions and two toiles. I did clip the curve of the bust and basted the bodice front pieces together because when you do a FBA, the seam becomes curvier, and I didn’t want to have to unpick it on account of puckering (which I ended up doing on one side anyway, so I’m kind of wondering if I should’ve added another millimetre to the side front bodice length).

Next, I attached the pockets to the skirt using the method in the Chardon skirt pattern, with the exception that I sewed them to the skirt at 4/8″ instead of 5/8″, which hides the pockets a little bit better, in my opinion. Then I sewed the skirt side seams.

For the pleats, I wanted them to match up with the bodice seams, so I measured each side of the princess seam, front and back, and transferred the measurements to the skirt, because the pleats marked on the pattern weren’t quite right. One measurement going from the side seam and the other from the center front/back. I then brought those ticks together and basted a vertical line about 2cm down, pressed them all into box pleats, and basted along the top to keep them in place. I prefer this method to the method used in the Flora instructions, which doesn’t have you do a vertical basting stitch. I then attached the skirt to the bodice.

I followed the rest of the instructions regarding inserting the invisible zip and hand-sewing the lining. The skirt is hemmed with self-made polkadot bias binding.

Thanks for stopping by!